The boundaries in “The Kiss of the Spider” are constantly blurred. This is a revolutionary movie in the mid -1980s. Later, it developed into a musical of Kanda and Erbu, and cleverly (amazingly) to transform into a large screen again into a large screen. , Dreamgirls provides director invoice Kang Deng. In 1983, when the dirty war in Argentina reached its peak, this work was mainly restricted to a detention center in Argentina, and now it is the other side of Andrew Louger Weber's “Avita”. To overthrow Eva Peron's brutal army regime. Although it sounds desolate, this musical has found unusual sun shifts in the most desperate place -and an inaccurate connection.
In each version of Manuel Puig's novels, the film not only provides us with the urgent need of active political injustice, but also provides escape from the oppression of our organic prison. When sitting in the middle of the night, the film audience will temporarily leave their bodies and figure out who they are watching and whether they are gender. This is the charm of “kissing” that everyone promotes and described. During this period, Molina (Tonati) is a sex criminal, and the activist Valentine (Diego Luna Na Na Township ) He was assigned to the same cell, and he made up some stories to impress him. Traditional Hollywood movies can alleviate their time in prison.
The two prisoners seemed very different as soon as they met. Molina has long hair, delicate figure, and looks like a girl. He hangs the charm of Hollywood on the wall (we see Jennifer Lopez in the first place, she plays Doloris Del Rio -style screen legend Ingley Luna). Every movement of Molina seems to be designed for only the camera he can see, and Valentine, who is determined, will not be disturbed, ignoring his health in order to trigger.
Although different politicians hate this decentralized behavior, Molina is still strategically placed in Valentine's room to extract the secrets and technology he refused to disclose during the interrogation. In any case, Molina has no interest in politics, as he shows the care of Dian Prison (Bruno Bizil), he has betrayed others for his personal interests -this kind of mouth is not about spider The story of a female (and Lopez) was reflected. A fatal blow of a (fiction) movie he watched a few years ago.
Molina worshiped the “goddess of the moon” (he called the star of the movie) and annoyed Valentine with his popular culture. “Why do you think of himself slightly?” Valentine asked, he spent time learning, but it seemed meaningless. No one left the prison's political part, and many prisoners there were addicted to Morphine. The survival problem in this place, but the “desaparecidos” to protect his compatriots is equally important. Valentine will perform this task. Play housewives.
Once again, Molina has been almost known as “homosexuality” for early film and stage production. However, Puig emphasized this label again from the beginning. He quoted the words of Social critics, Edor Roszak in the novel's note: “The most eager lady who eager to liberate, and it is urgent to need it. It is the “lady '” kept by every man. “Can the relationship between the two -person group that are not like the same match can be described as romance? In modern words, Molina can actually be almost determined that he is a cross -gender person, although this is only one of the many evolution described in the movie, Observing Valentine and Molina in the movie have emotions.
Kang Deng used the author of the musical e -book, Tyrence McNelley as the main character, and did not excessively explain the relationship between the two. Just like the comfortable focus of movie stars in the golden age, a certain vagueness helps to make a person's creativity full of image. Instead, Kangden's special thing is to show the color fantasy of Molina's escape.
Whenever “KISS” gets rid of the cold gray partition of the cell, it needs a star to show off his means through the 1960s style song and dance songs, just like Kita Rivila made on the stage That's the way. Here, the heroine we see is not as good as Lopez's burn burn (Ingelu, Orola, and Spider), which should attract audiences who may not like musical style. However, the relatively new Tonati, who now left with now, found a force and weakness in each of the less frivolous character in each of the scenes that passed.
Lopez plays Ingeli Luna, reflects a perfect image of Latin America, and Hollywood has only successfully shaped this image in its Anglo film (just like her blonde and unique Idse Hyde style The clothing implies). Molina paid tribute to her in the song “She is a lady” and acknowledged what most audiences might have guess: “How lucky can you be? … I hope she is me.” After the episode, Valentine will criticize again, saying that musicals are “pure propaganda” -This is a satirical line in the movie. It does not form alliances with the “ruling class”, but an alliance with traitors and outsiders.
Kang Deng is an actor wizard. In “She is a lady”, he provided Tonotu with the second role of Jennifer Hudson to make the character's desire shine in each shot. In addition to Lopez's cutest title, film producers rely more on choreography instead of melody to make the song sparkle. Kang Deng also customized “Chicago” for the screen, which looks relatively restrained here. It is switched back and forth between the dirty imprisonment reality and the Mornen's peculiar inscription (creatively translated “The Exized One”, which was originally two. The surface of the famous prisoner and the ladies was ready for them, and it became the original sound guitar folk song “querido”).
“Kiss” uses its production data in almost different ways to Dreamgirls. In that movie, music is the power pressure to promote the story, because a song may go through several months or years, and in this movie, it is unclear how fast the passage of time is. Here, the format is almost an opera (although the music is not), and Kang Deng cuts the narrative again. Therefore, the feelings of his role will be expressed through tunes, and the two prisoners will be transmitted to a better world (like in the same way as in Great “where you are”).
In this case, the songs in the movie played a role in the response mechanism for Molina and Valentine. They considers themselves rather than the actor: Lona, who is now scratching cleanly Petz's love is curious (he looks as gentle as William Holden), while Tonotu stood on the side, making Gali Grant real when he appreciated each of them. Don't ignore, Molina has been manipulating his prison friends, trying to find data that caused him to release. But over time, he began to respect and even protect Valentine, use his deception ability to fight the chief of the Dian prison, while negotiating roast chicken and other benefits.
For Kandord and Erb, “Kiss” provides another “song and dance performance” problem, one of the severe backgrounds (here is Nazi Germany, this is Argentina's dirty war) may be music and seemingly The impossible love story is subverted. In a world keen in the college for “Emilia Prees”, another disruptive musical has a place. Molina may belong to a series of tragedy, but this story makes up for this cliché, bringing the character's transformation to a logical conclusion -Molina has become a big screen character model, suitable for all images He treats the Heroes of Comal as sensitively.
