France equals the Cesar Awards, which celebrated their fiftieth edition on Friday at the Olympia Theatre in Paris, is actually and symbolically nominated rosters richer than most years.
A pair of epic French blockbusters “Monte Cristo's Dependence” and “Beat Heart” tailored by Alexandre Dumas' literary tradition, Gilles Lellouche's sprawling criminal romance, with 14 and 13 nominations, respectively. Jacques Audiard's crime musical Emilia Perez plays 12 nods along with Zoe Saldana and Karla Sofía Gascón. The latter presented her first prize at the Cesar Awards ceremony, lowering the ceremony after her offensive post. Gascón skipped the press on the crimson carpet and sat on the same row of Audiard and Saldana included in the Olympia Theatre, but they didn't sit behind them.
Furthermore, in the combine, it’s a “further thing,” a budget-conscious comedy that includes non-professional actors with disabilities, purchased nearly 11 million admissions and received Artus, who directed in the movie and co-starred in the movie, received the best first film nomination. The forgery of the film is expected to be shown by Kering's luxury manufacturer and Saint-Laurent dressed up as the Cesar Award.
The group tracks for many Cesar's main competitors are good information for Canal+, which is airing the ceremony and hopes to attract a large audience. The gift was led by “Give Me Agent”. Co-Whilmer Cedric Klapisch, who served as Creative Director of the Ceremony.
The expected points embody Catherine Deneuve's presence on the stage and pay tribute to Julia Roberts, whose “Clive” co-star Clive Owen may award her award. Roberts follows the footsteps of early winner Christopher Nolan.
Julia Roberts won the 50th Cesar Film Award.
Getty Photos
The Cesar Academy is now hosted by independent French producer Patrick Sobelman and Gaumont's senior government Ariane Toscan du Plantier, who have transformed the voting physique to make it more and more. However, after Justine Triet turned into a second female director, winning Cesar's “Autumn Anatomy” (in addition to picking the best movies, authentic scripts, actresses of Sandra Huller, Swann Arlaud and Swann Arlaud and Modifying) gained support in 2024, a symbol of the fifty, a version named Finestems insmakers nastion by the women's filmmaking candidate. However, there are two ladies administrators fighting for the best first film, Louis Courvoisier and Holy Cow and Agathe Riedinger and Agathe Riedinger.
Meanwhile, Coralie Fargeat's “Material” was nominated for only the best international film, which is the truth that the film is in line with the settlement outside of France and does not receive a national film board, so the film is qualifying. Still, “this substance could compete for five Oscars on Sunday.
Is the Cesar Award nomination and winner list (bold):
The best movie
Dimitri Rassam, “The Dependence of Monte Cristo by Jerôme Seydoux
“Emilia Pérez” by Pascal Caucheteux, Jacques Audiard, Valerie Schermann
“Marching Band directed by Emmanuel Courcol, directed by Marc Bordure, Robert Guediguian, produced by Robert Guediguian
“Souleymane's Story” by Bruno Nahon, directed by Boris Lojkine
“Misericordia” produced by Charles Gillibert, directed by Alain Guiraudie
The best director
Gilles Lellouche “Boat”
“The Dependence of Montecristo” by Matthieu Delaporte and Alexandre de la Patellière
Jacques Audiard's “Emilia Pérez”
Boris Lojkine's “Souleymane's Story”
Alain Guiraudie for “Misericordia”
The best unique script
Stéphane demoustier for “Borgo”
Emmanuel Courcol and Irène Muscari are “Marching Band”
Boris Lojkine et delphine agut for “Souleymane's Story”
Alain Guiraudie and “Misericordia”
Louise Courvoisier and Théo Abadie
Tailored script
“The Dependence of Montecristo” by Matthieu Delaporte and Alexandre de la Patellière
Jacques Audiard's “Emilia Pérez”
Michel Hazanavicius and Jean-Claude Grumberg's “Most Rare Goods”
The best actress
Adèle Exarchopoulos, “Boat”
Karla Sofía Gascón, “Emilia Pérez”
Hafsia Herzi, “Borgo”
Zoe Saldaña, “Emilia Pérez”
Hélène Vincent, “When autumn comes”
The best actor
François civil “beats the heart”
Benjamin Lavernhe's “March Band”
Karim Leklou for “Jim's Story”
Pierre Niney's “Monte-Cristo's Dependence”
Tahar Rahim
Female Revelation
Maïwène Barthelemy's “Holy Cow”
Family Kabi “Wild Diamond”
Megan Northam is Rabia
Mallory Wanecque “beats”
Souheila Yacoub's “Planet B”
Male Revelation
Abou Sangare's “Souleymane's Story”
Adam Bessa
Malik Frikah's “Boat”
Félix Kysil's “mercy”
Pierre Lottin for “March Band”
The best first movie
Agathe Riedinger's “Wild Diamond”
Jonathan Millet's “Ghost Road”
Julien Colonna's “Kingdom”
Artus's “A Further Thing”
Louise Courvoisier's “Holy Cow”
The best overseas movies
Sean Baker's “Anora”
Mohammad Rasoulof's Seeds of the Holy Fig Tree
Ali Abbasi's “Apprentice”
Coralie Fargeat's “Material”
Jonathan Glazer's “Curiosity Zone”
The best animation features
Gint Zilbalodis's “circulation”
Michel Hazanavicius' “The Most Precious Goods of Goods”
Claude Barras's “Barras”
The best documentary
Yolande Zauberman's “Beauty from Gaza”.
Lina Soualem's “Goodbye Tiberia”
“Dahomey” by Mati Diop
Raoul Peck's “Ernest Cole: Misplaced and Discovered”
“Bertrand's Farm” by Gilles Perret
“Madame Hoffman” by Sébastien Lifshitz
