“Sir. No one is against Putin” on Saturday in the World Film Documentary Contest of the Santa Dandas Film Festival. Impact of Russian children's life. choose Interviewed film director David Borenstein, who worked with the movie theme and co -director Pavel “PAVEL” Pasha “TALANKIN. The trailer is shown below.
The origin of this cause is that Paxia, a high school coach in a provincial -level city in Russia, responded to the requirements of an online content material company, asking for personal explanation of Ukraine's “special military operations” (they call it “special military operations”) Do it. The invasion of Russia affected their work.
Pa Xia responded with passionate political abuse. Talking about how his work was reversed, how he became a propagandist, and how his university almost became a day before he no longer admit it. “Bollestan explained.
This online content company refused to investigate the matter, but coincidentally, Pa Xia's response fell into the embrace of Blorestan. Bollentan lived in Copenhagen, Denmark, but worked in China for several years. Patham is a school cameraman. The reason why he was able to shoot movies in the school was because the school adopted various authorities for compulsory measures to enhance the patriotic spirit of students.
Bollentan said that when Paria continued this job, the conversation with Paxia was “very troublesome” because if he was found, his impact on him would be cruel.
“Sir. No one is against Putin”
Provided by Pavila Tarankin
“This is likely to be a huge communication eye mask you can have in the cooperative project,” Bollestan said. “In addition to good encryption lines, we cannot discuss through any communication technology. First of all, we hire a security marketing consultant to create some floor guidelines. Some of them also considers that his mobile phone may be damaged. It cannot be determined. Even on the encryption line, can we talk publicly, so we still talk in secret words instead of talking directly on this encryption line. Talking about this work is always a big problem. “” “” “” “” “” “” “.”
Under this restriction, Bollerstan did his best to notify Pa Xia because the task made progress, but the character of Russian coaches is also a factor. “He is a wild and lovely person. When he picked up the camera, he could not be guided,” Bollestan said. “This is usually because he feels a deep feeling, which is a method of dealing with this emotion. He said in the movie that his psychology or state under this regime is like a wire. Usually, he looks like he looks like Like a propagandist, he is very responsible. He only needs to criticize and do one thing, and picking up the camera is a way to do this.
“Sir. No one is against Putin”
Provided by Pavila Tarankin
“So he usually picks up the camera because he feels emotional, although sometimes because he is just to capture daily life and jokes, but for Paria, it is actually difficult to start. He provides some courses, and he may benefit from the professional knowledge of my director scene. His lens is very high, just like what I said, how can the shooting behavior be deep and profoundly associated with the use of external sounds to explore emotions and psychological pressure. He has been shooting at that university for many years. People have become accustomed to In this way, he just walked in the hall and simply captured people's feces.
“I watched it in the editing room. The way I entered this university was so pure and smooth that when I tried to play these shots over the years, it actually revealed the degree of slow spreading in the college in the college. And this method may be difficult to understand.
“So, for me, this cooperation is to accept his original face, like him, and then decide how I cooperate with it. It is saying that this is cooperation, that's it: I am a Danish movie producer He is a trainer and cameraler [a high school in the Ural Mountains]Essence We are making a movie collectively. This is the framework. After that, this movie just solved thousands of challenges introduced. ”
There are many themes in the movie, but these themes are not obvious when Paxia filmed. “Almost every part was found in the editing, because his movie was not carried out in a really targeted way. In fact, he has not shot the role. He took everyone down. So, this is not like it What he said, “Oh, I have been paying attention to Martha and Pavil. “No, he just adopted everyone. Therefore, he needed indirect sorting of reality to make it meaningful and achieved by editing.
“So, I am looking for a role, I am a completely different theme in publicity. I know the changes in the college over the years. I am the atmosphere and feelings of the scholars and individuals around him. The process of very, very slow and troublesome, because it is not just a large number of shots, its meaning is far more than that. ”
The movie depicts a specific key relationship, the most obvious is the relationship between Paxia and his mother. But there are other people -such as his relationship with Martha, Martha is a lady, her brother goes to the war, and there is a young man who was summoned to join the army. How did the director decide to use these as an important thing?
“I think this is because all of these characters have some momentum in the editing room that affects my emotions,” Bollestan said. “Martha is a typical example. Her brother went to fight. I have ignored her shot for a long time until it reached a tragic ending. I was moved, it asked me to consider the war, and it asked me to consider the pain that Pa Xia and her or he should feel. I think this is crucial. After discovering this video, I found, oh, wow, just like when her brother was called to join the army, she was talking to Paxia.
Bollentan tries not to express the rose with threatening or annoying stereotypes. Although one of the coaches may support Putin very much, the image of others is full of sympathy. “I treat cooperation with Paxia very seriously. So, for me, I want to order this. I used to be a director. I wrote it, but he was a co -director. I hope his point of view can be firm and public. 2. Truely integrate into the way of telling the story. Very dark-White perspective observes what happened there, trying to understand the way he treats the problem.
“I actually confirmed that his point of view is clear -his love for the city, his relationship with his personal, and the way he treats people there is because he grew up with them. He regards them as an individual . Make sure it is included, so that we can make a movie that I am quite sure of almost all Russians imagine and agree. It is difficult to make a Westerner say “yes, I agree”, but Russians will not turn their eyes. Black and white description is the purpose. He is a coach and he is not calling for the revolution. The point of view enters the middle of this movie and gives us a lot of help. ”
One of the difficulties of this film is the issue of dealing with consent and privacy. When he shot the lens of young people, even if it is not impossible, it is difficult to get their consent. In this regard, he was helped by the film broadcast partner.
“The first thing we did in this work was to make a security overview and attract the attention of BBC. They were very concerned from the beginning and provided us with a lot of relevant inform people and obtained the participating movies. The guidance of consent believes that telling this film is obviously a security situation for all relevant personnel. Those who play the role in the movie, so they agree with this movie, so they are very happy to happen. Carefully guarantee that we will not show anything else to anyone else.
So far, Blorestan has not seen the Russian authorities trying to stop the film's release or screening, but “we will keep vigilance,” he said. “We are ready. Although it's a bit early now, I find that my private website is like all views from Russia. I just want to know what will happen, yes, but let's see. We are ready. Accept some response from Russia. ”
The producer of this film is Helle Faber of Copenhagen Manufacturing Company. Global sales are handled by Dr Gross Sales, and Cinetic Media is responsible for the US copyright.
The co -producers of the film include Pink, Danish Film Academy, Czech Film Foundation, Nordisk Movie & TV Fond, Filmfyn, Fritt Over, Hermod Lannungs Fond, BBC Storyville, DR, ZDF, ARK, SVT, RTS, DR GROSS SALES, VPRO, UPP and Edithouse Fyn.
