Japanese filmmaker Shinji Higuchi found a grand charm in the bullet train so that he could destroy them on display screens, a creative paradox that defines his latest film, Netflix's “Bullet Prepary Explosion”, and the scope of his famous profession.
“Commands, symbolic precision and a safe thing…that's one thing that attracted me, and since I like it so much, I want to destroy it,” Higuchi told choose About Japanese movies on Netflix's Apac display cabinet in Tokyo.
The main premise of this movie is that if the speed of the titular practice drops to 100 km/h, the bomb is immediately manipulated to detonate immediately. The bomber demanded $100 billion ($660 million) as ransom to lift the explosive system, triggering a firm race against time against crew, passengers and railroad personnel.
Before the “bullet preparation explosion,” Siguchi established himself as a filmmaking process of Tokusu (a wise result of Japan, usually using microcosm), and the train kept showing his harmful ornaments. His co-directed “Shin Godzilla” (2016) features the demolition of Keikyu 800 sequence practices, while his early work “Doomsday: The Sinking of Japan” (2006) shows the dramatic destruction of Fujikyuko 5000 sequence practices. His special result can be traced back to his breakthrough work on “Gamera: Guardian of the Universe” (1995), where he established a career fascination with the huge disaster performance.
“The bullet is ready to explode” marks Higuchi's fashion reimagining of the 1975 Japanese basic crime movie, a young boy who left an indelible impression on him. “This is the main non-Cadal movie I noticed,” Shiggic remembers the unique “bullet preparation” that he first watched at the age of 10 after skipping the teacher. “There is a law that is intended to violate the law and will pay again. That's the story.”
Chiguchi’s expertise proved the formative nature of his childhood, who acknowledged a private connection to the film’s subjects of crime and punishment. He explained: “Because this is the first time I disobeyed my father and mom…I noticed myself there and noticed what the people who dedicate themselves or have a danger to the law became. It's very influential and I always remember those.”
“The bullet is ready to explode”
Netflix
Higuchi is recognized for its groundbreaking work in visible results and Tokusatsu, and Higuchi's creative sensitivity is driven by the fun of ruining. “I like the fun of seeing something that doesn't appear, and it's what you happen to,” he said. “It actually makes me excited, and it makes me ecstatic.”
Adapting stories for contemporary audiences presents unique challenges. Higuchi noted that 50 years ago, the local weather in Japan had been thoroughly revised, mainly rethinking the creative staff, who may be the latest animal in the movie. They finally draw inspiration from conversations with the younger generation, expressing a desperate way of the future.
On the technical side, Higuchi discusses his strategy of mixing wise results with visible results, noting that Tokusatsu is often ridiculed by filmmakers when he starts his career. He recalls: “They could be enjoyable, they were enjoyable, they were enjoyable on Tokusatsu. You understand, ‘this is like it’s for young people, so we don’t want to use it in my precious movies.’ His purpose was to bridge that gap: ‘What I wanted to do was take perfect out of every world and put it in collectively. ”
For Higuchi, scale is an important ingredient in cinemas. “I really like the questions that can be exaggerated. Once I watched the massive issue…I believe that if it wasn't that big, there would be no value.”
Without the spoilers, “bullet ready to explode” explicitly refers to its 1975 predecessor. When it comes to asking for “bullet ready to explode” is a tribute or a reinvention, Higuchi suggests that it is raised to the previous extra. “We started with a special title. The extra titles we created were getting closer and closer to unique,” he explained, noting that they were ultimately determined to use the same title. The film contains exquisite references that Japanese audiences should admit, similar to the judo crew members among many practice passengers, which are elements that stand out from the unique film.
Higuchi confirmed that he has watched most of the changes in Bullet practice disaster movies, as well as the current Brad Pitt Automobile, which he described as wanting to be “pleasant”. He expressed curiosity about watching the 1980 Bollywood model “The Burning Repard”, which he didn't see.
Still, the filmmaker maintains a very mysterious attitude to his subsequent mission, which shows that it is “very advanced” and “a lot of things happening.”
Starting April 23, the “bullet ready to explode” stream on Netflix.
