The smile of 15-year-old Ahmed (Arif Jakup) who spends most of his time on screen is as much a cliché as someone whose infectious smile can lighten a room. Amid the intense colors of the EDM pageant that takes place during the forest, longing eyes succumb to the upbeat tunes and fall on the young people around him. By that time, most of the audience had already been drenched in music by “DJ Ahmet” (Georgi M. Unkovski), the delightful, humorous and speechless debut of the stylish show, all set in a remote North Macedonian village There is no way to save it.

The second treat, however, is just a quick, disembodied respite from Ahmet’s grueling duty of abandoning the sheep and caring for his baby brother Naim (Agush Agushev), the innocent and unspoken man who hasn’t spoken since his mom’s death. Lovely image. From the beginning, Unkovski introduces a rich soundtrack that sounds like Ahmet is a legendary saint, except Alen Sinkauz and Nenad Sinkauz and Nenad Sinkauz are bigger than life. 's ratings, it also mixes stylish English songs with tracks specific to the region. seek. To establish how distant the connection between the story and the score's music is, the director uses slow motion on exact occasions, asking the audience to stay up to date in the manner of a masterful Ahmet, Naim and Aya Zlatanova is A woman visiting from Germany and her organized marriage.

Ahmet's father (Aksel Mehmet) forbids his young man to listen to music, grieving his spouse who has little sympathy for his teenage son. A strict mother or father involved in a young man's mutation spends a lot of money and time to take him to a questionable healer, a lot of which he can explain to Ahmet from the university so that he can take care of himself or her animals. The subdued Ahmet didn't protest, but the visual heaviness was stressful for him. Fortunately, Unkovski avoids making Dad completely irrevocable, but paints him as a product of his atmosphere, while Ahmet represents the promise of a unique, extra-refined masculinity.

In finding Jakup to play his endearing protagonist, Unkovski found a real diamond in a tough face that exudes the sincerity of an untainted soul. “I love how you just don't know how easy it is to lie,” Aya tells him, as the 2 (and their little companion Naim) wander from their respective grim realities. Still, the extraordinary jakup doesn't achieve simple innocence with his quiet soulful efficiency, but moderately conveys Ahmed's interiority in a shy giggle or his brilliant eyes. Wrapped up in the character's unspectacular body, there is a selfless bravery that drives him to confront others, especially the beautiful Naim.

Photographer Naum Doksevski captures Jakup's timid expression in a wash of golden, gentle, suspended expressive face. “DJ Ahmet” is a film composed of suspended visuals and vibrant shadows. In this corner of the world, traditional attire is inherently bright, but the filmmakers heighten its impact by imagining the images in ways that quite literally radiate, mixing the eroticism within the body.

At every turn, Unkovski's brilliant writing finds compelling avenues, such as the disconnect between young people who are inserted into the Yuruk (Turkish ethnic group) residents of a smaller mountainous area than they are, and Life continues there too through their cell phones and pastoral and deeply patriarchal ways. In short, Unkovski derived universally accessible comedy from culturally specific conditions. The plight of the technically challenged Imam, who Ahmet kindly contributes to many events, is a recurring side-splitting gag. The sound of Microsoft Home Windows starting is anything but humorous. Every perfectly timed joke, these ones involving Ahmet's lack of sheep, is a tribute to Unkovski's inventive, imaginative and prescient admiration given the tonal feats he's accomplished.

Neither saccharine nor emotionally light, “DJ Ahmet” is based on the bruising reality of life in a patriarchal society and there are few areas where men cannot interact with their feelings or where ladies cannot have adequate companionship in their lives. Unkovski reads the film with sharp, dream-based commentary and premonitions of elderly local girls who talk about local affairs and encourage distant Ahmed. Unkovski's narrative work is about making the teenage love affair between Ahmet and Aya a catalyst for empowerment, whether by performing a “provocative” stylish dance number at the entrance of all residents, or transforming a tractor into a cell's entrance DJ set .

A genre of film that urges people to inform everyone about it so that they too can be delighted by its fantastic fun, “DJ Ahmet” is a revelation as it seamlessly straddles the line between laugh-out-loud raves and art Impactful house gem. Despite the fact that it moves into expected coming-of-age territory (through a blossoming romance, a willingness to claim one's ID, and a parent-child battle), the cultural context, Unkovski's inventive storytelling abilities, and the utterly remarkable first forgery land in its own personal territory.

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